Tag Archives: Overgrowth

2018 Philby 100 Best Albums

Posted on March 24, 2019 by PhilMaq

As the words of a Crosby Stills, and Nash song state: “It’s Been a Long Time Comin!” Through all of the weather delays and station closings, the official Philby 100 Best Albums of 2018 post is finally ready! This is … Continue reading →

Posted in Philby | Tagged A Different Kind of Train, A Good American Life, A World Unknown, Abby Hoffman, Adrianne Serna, Allan Thomas, Altan, Altered Sweet: The Songs of Matthew Sweet, American Beauty, Amy Helm, Amy Soucy, Angela Perley and The Howlin' Moons, Are You Listening?, Bar, Bark's Wagon Tales, Beer Me, Bernie Marsden, Better a Fool Than Aloof, Beyond the Static, Big Dudee Roo, Billy Brandt, Birds Say, Bitzer, Black Note Graffiti, Blue Mesa, Bobby Pennock, Both Sides of the Sky, Breaking and Entering, Buddha Pesto Manifesto, C.J. Ramone, Caleb Ford, California Guitar Trio, Carry Fire, Champion, Chris Richards, Circling the Moon: The Songs of Mike Stephens, Coral Creek, Craig Moreau, Crash Boom Bang!, Darlingside, Dave Caruso, David and The Disasters, Detroit 2 Nashville, Didn't It Rain, Diggin' Down, Dust Bowl: American Stories, Ed Dupas, Eggtones for Fun, Eliza Neals, Elliot Schneider, Every Single Part of You, Everybody Has a Purpose, Extralife, Fair Mitten: New Songs of the Historic Great Lakes Basin, Feel These Blues, For the Dirt, Formaldehyde Tobacco and Tulips, Ghost Light, Gifts or Creatures, Grant Maloy Smith, Greg Nagy, Gregory Stovetop, Happy Curmudgeons, Heavy Days, Heavy Dudee, Here Again and Lost, Hey Kid, Holding On: A Heal My Soul Companion, House Caught Fire, Housewarming, I Dug It Up, If We Dig Any Deeper It Could Get Dangerous, It's Never Too Late, Jason Hawk Harris, Jeff Healey, Jemmi Hazeman and The Honey Riders, Jeremy Clyde, Jimi Hendrix, Joe Kidd and Sheila Burke, Joe Peters, Joel Boyea, Joseph Veloz, Joshua Davis, Judy Banker, Judy Collins, Karen Nash, Katherine Moller, Katy Guillen and The Girls, Kevin Fisher, Korembi, Kozmic Maze, Latvian Radio, Laura Rain and The Caesars, Lay Around That Shack, Let It Shine, Living Inside, Lost on the Road to Eternity, Love and Justice, Luke Winslow King, Lynne Hanson, MAGNUM, May Erlewine, Meant 2 Be, Michael Snyder-Barker, Mick Clarke, Mike Gentry, MJ Bishop, Morgan Treni, Mother Lion, Motor City Shakedown, Nick Piunti, Nick Urb, Nightbird, Nina and the Buffalo Riders, Nora Jane Struthers and The Party Line, Nose Dive, Offerings, Oginalii, Olivia Millerschin, Over the Weather, Overgrowth, Peaks and Valleys, Phil Maq, Philby Album of the Year, Philby Album of the Year 2018, Philby Awards, Pick Your Poison Pick Your Blues, Psychsploitation Today, Rhett Miller, River of Sand, Robert Plant, Royal Wood, Sarah Jane Scouten, Sarah McQuaid, Sarana VerLin, Saskwatch, Savoy Brown, Serve, Seth Bernard, Shady Groves, Shine, Slam Allen, Songs of Movement, Spinning the Earth in Reverse, Stepladders, Storm Queen, Stranded, Strangers Again, Strawberry Heritage, Taller Than They Appear, Temporary High, Ten Cent Tour, Territorial Chant, Territorial chant 6, The Bankesters, The Bayonets, The Bottom Drawer Sessions No.1, The Detroit Dives, The Dirk Kroll Band, The Dreamer and Other Essays, The Dustbowl Revival, The Empty Pockets, The Gap of Dreams, The Good Stuff, The Grey EP, The Jesse Xavier Band, The Mae Trio, The Pandys, The Prefab Messiahs, The Ragbirds, The Rallies, The Sabres, The Threshold and The Hearth, The Traveler, The Turnback, The View From Here, The Way Back Home, This River, This Too Shall Pass, Tim Bennett, Tom Curless, Tommy Emmanuel, Tosha Owens, Trio Reenactment, Two Sides to Every Story, Until the End of Days, Volume II: Without Nothing I'm You, Walk With Me, When the Bloom Falls From the Rose, Where We Are, Whit Hill, Windborne, Witchy Feelin', With a Lampshade On, Without You, Wrong Side of Right | Leave a comment

Phil’s Faves: Albums, February 10, 2019

Posted on February 16, 2019 by PhilMaq

Over time, my listening habits have changed and at the moment I usually listen to albums completely through. I haven’t done that in years, but it’s actually very rewarding—particularly when the album is good. Every album that will be on … Continue reading →