Tag Archives: Transitions D’eau

Philby Best Albums of 2021

Posted on December 31, 2022 by PhilMaq

Ok. I’ll admit it. The year end Philby post release could use some tightening up. On the eve of starting my 2023 list, I have literally run of time for posting my Philby Best Albums of 2021 list. Everyone who … Continue reading →

Posted in Philby, Philbys | Tagged 11 Guys Quartet, 2Bit Palomino, A Highway Cruise, After You, All the Ladies, Along Song Book, Amilia K. Spicer, and Other Joedai Pilgrims, Another Sky, At King Electric, Bad Camper, Bang at the Door, Bark and the Pack, Be Here Now, Before Me, Ben Levin, Bent Frets, Beside Me, Between Here and There, Bill Edwards, Black Pistol Fire, Call the Shots, Carl Caballero, Chapter 3, Charlie Walmsley, Chevy Town, Chris Youlden, Closing Time, Cold Tone Harvest, Collaboration, Come Summer, Cowboys and Aliens, Dan Bubien and The Delta Struts, Dave and Kristi, Davy Knowles, Deadbeat Graffiti, DeeCRACKS, Diamonds in the Rust, Discount Cowboy, Dolph Chaney, Donna Herula, Downtime, Duel, Eric Harrison, Eve's Twin Lover, Fable Bait, Free Yourself Up, George Stephen Kelly, Gerard Smith, Gogol Bordello, Gratitude, Green Denim, Heather Pierson, Helene Cronin, Hour of the Wolf, In the Corner, Incognito, Into a World Bright and Beautiful, Iron City, J.P. Reali, Jan Krist, Jay Elle, Jeff Karoub, Jeff Slate, Jimmy Carpenter, Jo Serrapere and The Wille Dunns, Joanie Leeds, John Mayall, Johnny Iguana, Johnny Iguana's Chicago Spectacular, Jon Shain, Julianne Ankley, Kate Hinote Trio, Katherine Moller, Kelly's Lot, Kelsey Waldon, Kenny Young and The Eggplants, Kiss the Tiger, Lake Street Dive, Lauren Crane, Life in the City, Lil' Ed and The Blues Imperials, Linda Hicks, Liz E. Brooks, Lockdown Live, London Calling: A Toast to Julie London, Lonesome for a Long Time, Looking for a Perfect Trip, Lost and Found, Lullabies in an Ancient Tongue, Lyn Stanley, Makin' Honey, Mark Jewett, Marty and Laura, Marty and Laura Kohn, Mary Ann Kirt, Matt Watroba, Michael Johnathon, Michael Snyder-Barker, Mick Clarke, Mike Latini, Mike Ward, MK II, Myths and Mortals, Near, Nell and Jim Band, Never Found a Way to Tame the Blues, New Roaring Twenties, Nick Piunti and The Complicated Men, Niecie, Nobody Told Me, Not Made for Hire, Odds Lane, Old Ghosts and Lost Causes, On a Canvas Painted Blue, One of These Days, Ordinary Joe, Organisms, Pat Smilie, Pieces Break, Plantastic Voyage, Plug in and Play, Random Rex, Ray Bonneville, Refuge, Rick Hromdka, Ride the Wave, Ringo Starr, Robin Hood, Rod Johnson, Ruth and Max Bloomquist, Sarah McQuaid, Sarah Morris, Scott Fab, Secondus, Seekers and Finders, Serious Issues, Seven Stars Around the Moon, Small Blues and Grooves, Someday Soon Somehow, Songs for An American Hero, Soul Doctor, Spirit of 74, Steel, Steve Taylor, Sublunar Minds, Sultans of String, Suzi Moon, Tea and Tunes, The Armoires, The Bennett Brothers, The Big Sound of Lil' Ed and The Blues Imperials, The Darkness and The Light, The Dirk Kroll Band, The Doug McDonald Quartet, The Far Si: The Si Kahn Funny Song Sing, The Forty Nineteens, The Joedai Warriors, The Legal Matters, The Lucky One, The New Zeitgeist, The Outsider, The Pirate, The Regulators, The Satin Cowboy and The Seven Deadly Sins, The St. Buryan Sessions, The Stan Laurels, The Stone Souls, The Whole Half, The Wreckage, There Is No Light Without the Dark, Thieves and Yesterday, Things I Dream About, This Is Dolph Chaney, Thorton Creek, Tom Alter, Tommy Z, Tonight at Johnnie's Speakeasy, Transitions D'eau, Travis Bowlin, Trio of Awesuhm, Trippin' Dinosaurs, Trouble With a Capital T, Turkuaz, Vandenberg's Moonkings, Vicious Kid, Victor V. Gurbo, Victor V. Gurbo and Co., Warriors, What You Love Comes Along, Whiskey, White Noise/White Lines, Whole Cloth, With Love From Lake Huron, Wolf B. Reuter, Would It Be the Same?, Wow and Flutter, Zombies, Zoom In | Leave a comment

Phil’s Faves: Albums, April 17, 2022

Posted on April 23, 2022 by PhilMaq

Over time, my listening habits have changed and at the moment I usually listen to albums completely through. I haven’t done that in years, but it’s actually very rewarding—particularly when the album is good. Every album that will be on … Continue reading →