


How about a special Memorial Day Countdown update?
The unofficial Philby list total is now 7 as new ones continue to dwindle down to a precious few!
As the unofficial numbers get higher, the countdown numbers get lower!
Here’s the latest unofficial update of the Pandemic Philby 100 Best Albums of 2020!
The unofficial Countdown so far is:
31.These Are Vitamins—Gladshot
32.Lines and Spaces—Heather Pierson
33.Asilomar—Fathom Lane
34.The Landing—Katie Pederson
35.High Times in the Dark—The Claudettes
36.Can’t Take My Soul—Kelly’s Lot
37.Silver City—Sarah Borges and The Broken Singles
38.Indian Summer/Greater Heights—Walrus
39.Good Fortune—The Forty Nineteens
40.All Mine—Sarah Morris
41.The Way It Rolls—Michael Kelsey
42.Songs of Hope in a Changing World—Eric Gnezda
43.A Fragile Peace— Lucky Jr.
44.Quarantine Dream—Scott Martin
45.We Get By—Mavis Staples [Hall of Fame]
46.Red Sky Remembers—Gary Browe
47.Ultra Cloud—Xposed 4Heads
48.Toward Home—Ellie Zwart
49.Addicted—Will Ludford
50.Singin’—The Heather Pierson Acoustic Trio
51.Boomerang—Your Gracious Host
52.Don’t Put All Your Eggs in One Basketcase—Eliott Schneider
53.We Won’t Get Out of Here Alive—Transit Method
54.Never Trust the Living—Johnny Mastro and Mama’s Boys
55.No Control—Alex Little and The Suspicious Minds
56.Peculiar—The Slackers
57.Tales of Whoa—Michael Snyder—Barker
58.November Rain—Steve Sterner and Sundown
59.Fight Another Day—Heathcote Hill
60.String Theory 2.0—Greezy Wheels
61. Wanderlust—Jillian Rae
62.Spirit of the Island—Makoto
63.Time Hasn’t Changed You—Altameda
64.12—Sloan
65.Copper Rooster and Other Tunes and Tales—Gina Forsyth
66.My Own Magic—Liz E. Brooks
67.Hollowed Sigh—Scott Baker
68.The Emmylous—The Emmylous
69.So Many Stars—Friction Farm
70.The Ballad of Billy Bob and Other Generic American Folklore—Barker and Broski
71.Don’t Look Back—Merlot Embargo
72.Simple Life—Nick Carter
73.Don’t Worry, It’s Not Contagious—Jeremy Porter
74.Light Magic—Strawberry Heritage
75.Now—A— Daze—Caleb Nettles
76.Cut Loose, Vol. 2—Mick Clarke
77.Bloodshot Red—Popular Creeps
78.Dancing Through the Storm—Amy Dixon—Kolar
79.Almost Extinct—Dirty Mind Detroit
80.The Open Sea Before Me—Joanna and The Jaywalkers
81.Revolutions and Romantics—Biltmore
82.Fun and Fancy—Sundae and Mr. Goessl
83.The 7 Melodies—The Silver Snails
84.Waterbound—Kevin Lockhart and Bill Bosler
85.The Quietest Place—Hannah Baiardi
86.Time and Truth—Joel Mabus
87.Fantastic Plastic—Flamin’ Groovies
88.Kill or Be Kind—Samantha Fish
89.Sundown Over Ghost Town—Eileen Jewell
90.Route 5—Jehova Waitresses
91.Blink—Rebecca Loebe
92.The Day After the Night Before—Terri Binion
93.No Drop of Love Is Ever Wasted—Valerie JanLois
94.1932—Davy Knowles
95.In My Element—George Heritier
96.Transitions de Vie—Mary Ann Kirt
97.Ask Yo’ Mama—The Groovalottos
98.Lonesome City—Dave Karchner
99.Wading in the Lesser Middle—Tom Alter
100.Struggles and Love—Wattle and Daub
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Here’s a section on submissions:
I am accepting entries for Philby consideration!
The album selections are made from a sliding four year pool of music.
The pool for 2021 is 2018-2021.
One of the reasons that I use a multiple year submission scale is that just getting music out to the world is sometimes difficult for an artist.
A lot of them are not really wired for self promotion.
Making music is totally different than drumming up interest in it, especially for independent musicians.
Yes, there are promoters that can help with that. And nothing against promoters because they have a role to play. But they cost money, and the artist already had to pay to record the music, and may not be prepared for the process of promoting it.
After looking at how some other independent awards are handled, I figured a four year window allows me enough time to serendipitously run across someone’s music.
I have told this story several times, but I try very hard to listen to everything that is submitted.
Although I work on my list, starting literally on January 1st, using a four year sliding window, I carry over some of what would qualify from the prior years.
So, if you’ve made some music dating back as far as 2018, I will accept that music for consideration.
If you have something older than 2018, send that, too, but identify the release date. I’m always looking for GREAT music.
For the Philbys, I’m looking for full albums.
However, if you only have a single, I’ll accept that, too. Don’t forget that I also have a Philby Hot Songs list, and more artists are releasing singles these days.
But please don’t send me an incomplete album if you have one.
So, please don’t edit for me.
I hate that and I might not even check out the item. I don’t know why anyone would only send selected songs instead of their whole work of art for consideration.
Please don’t send me links to listen to music. That’s not how I listen to music. And I probably won’t listen to it if you send me a link to stream it. Either send me the album to download or request my mailing address to send a physical copy.
Every year I say that if your item came out later than May, it may not end up on this year’s list. So it’s possible that submissions entered now may only be considered for 2021. (It sounds so good to think of 2020 being finished!)
However, this year will be totally different than other years. I have not received any where near the amount of releases that I normally do.
It might be an excellent year to send a submission.
I will accept any genre of music. I like a variety of styles, even on the same album!
So, please e-mail your mp3s, and please make sure it is an mp3 only, to phil@philmaq.com.
If you want a physical address or have other questions, please e-mail me at the same address. Because selections will be considered for more than a single year, there isn’t an expiration date at the present.
If you want someone who will actually listen to your music, I am that person.
If you want some recognition for working hard and baring your soul, that might be me, too. I can’t make any promises, but I will listen to your music.
If you are reading this and are not a musician but know someone who is, please forward this to them.
Good luck to all who participate!
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My weekly radio show “Theme Attic,” can be heard Wednesdays, 2P-4P ET!
The show can be heard on WHFR 89.3 FM in the Dearborn-Detroit area of Michigan, or it can be streamed with this link: https://www.whfr.fm/streamer/!
It almost always includes a weekly countdown of my favorite albums or songs and some shows feature two countdowns!
If you like what you see, don’t forget to spread the word by hitting the “like” button on my Facebook page, Phil Maq!
#Philbys #Unofficial2020PhilbyAlbumUpdates #PhilbyAwards

The unofficial Philby list total is now 6 as new ones continue to dwindle down to a precious few!
As the unofficial numbers get higher, the countdown numbers get lower!
Here’s the latest unofficial update of the Pandemic Philby 100 Best Albums of 2020!
The unofficial Countdown so far is:
41.The Way It Rolls—Michael Kelsey
42.Songs of Hope in a Changing World—Eric Gnezda
43.A Fragile Peace— Lucky Jr.
44.Quarantine Dream—Scott Martin
45.We Get By—Mavis Staples [Hall of Fame]
46.Red Sky Remembers—Gary Browe
47.Ultra Cloud—Xposed 4Heads
48.Toward Home—Ellie Zwart
49.Addicted—Will Ludford
50.Singin’—The Heather Pierson Acoustic Trio
51.Boomerang—Your Gracious Host
52.Don’t Put All Your Eggs in One Basketcase—Eliott Schneider
53.We Won’t Get Out of Here Alive—Transit Method
54.Never Trust the Living—Johnny Mastro and Mama’s Boys
55.No Control—Alex Little and The Suspicious Minds
56.Peculiar—The Slackers
57.Tales of Whoa—Michael Snyder—Barker
58.November Rain—Steve Sterner and Sundown
59.Fight Another Day—Heathcote Hill
60.String Theory 2.0—Greezy Wheels
61. Wanderlust—Jillian Rae
62.Spirit of the Island—Makoto
63.Time Hasn’t Changed You—Altameda
64.12—Sloan
65.Copper Rooster and Other Tunes and Tales—Gina Forsyth
66.My Own Magic—Liz E. Brooks
67.Hollowed Sigh—Scott Baker
68.The Emmylous—The Emmylous
69.So Many Stars—Friction Farm
70.The Ballad of Billy Bob and Other Generic American Folklore—Barker and Broski
71.Don’t Look Back—Merlot Embargo
72.Simple Life—Nick Carter
73.Don’t Worry, It’s Not Contagious—Jeremy Porter
74.Light Magic—Strawberry Heritage
75.Now—A— Daze—Caleb Nettles
76.Cut Loose, Vol. 2—Mick Clarke
77.Bloodshot Red—Popular Creeps
78.Dancing Through the Storm—Amy Dixon—Kolar
79.Almost Extinct—Dirty Mind Detroit
80.The Open Sea Before Me—Joanna and The Jaywalkers
81.Revolutions and Romantics—Biltmore
82.Fun and Fancy—Sundae and Mr. Goessl
83.The 7 Melodies—The Silver Snails
84.Waterbound—Kevin Lockhart and Bill Bosler
85.The Quietest Place—Hannah Baiardi
86.Time and Truth—Joel Mabus
87.Fantastic Plastic—Flamin’ Groovies
88.Kill or Be Kind—Samantha Fish
89.Sundown Over Ghost Town—Eileen Jewell
90.Route 5—Jehova Waitresses
91.Blink—Rebecca Loebe
92.The Day After the Night Before—Terri Binion
93.No Drop of Love Is Ever Wasted—Valerie JanLois
94.1932—Davy Knowles
95.In My Element—George Heritier
96.Transitions de Vie—Mary Ann Kirt
97.Ask Yo’ Mama—The Groovalottos
98.Lonesome City—Dave Karchner
99.Wading in the Lesser Middle—Tom Alter
100.Struggles and Love—Wattle and Daub
QQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQ
Here’s a section on submissions:
I am accepting entries for Philby consideration!
The album selections are made from a sliding four year pool of music.
The pool for 2021 is 2018-2021.
One of the reasons that I use a multiple year submission scale is that just getting music out to the world is sometimes difficult for an artist.
A lot of them are not really wired for self promotion.
Making music is totally different than drumming up interest in it, especially for independent musicians.
Yes, there are promoters that can help with that. And nothing against promoters because they have a role to play. But they cost money, and the artist already had to pay to record the music, and may not be prepared for the process of promoting it.
After looking at how some other independent awards are handled, I figured a four year window allows me enough time to serendipitously run across someone’s music.
I have told this story several times, but I try very hard to listen to everything that is submitted.
Although I work on my list, starting literally on January 1st, using a four year sliding window, I carry over some of what would qualify from the prior years.
So, if you’ve made some music dating back as far as 2018, I will accept that music for consideration.
If you have something older than 2018, send that, too, but identify the release date. I’m always looking for GREAT music.
For the Philbys, I’m looking for full albums.
However, if you only have a single, I’ll accept that, too. Don’t forget that I also have a Philby Hot Songs list, and more artists are releasing singles these days.
But please don’t send me an incomplete album if you have one.
So, please don’t edit for me.
I hate that and I might not even check out the item. I don’t know why anyone would only send selected songs instead of their whole work of art for consideration.
Please don’t send me links to listen to music. That’s not how I listen to music. And I probably won’t listen to it if you send me a link to stream it. Either send me the album to download or request my mailing address to send a physical copy.
Every year I say that if your item came out later than May, it may not end up on this year’s list. So it’s possible that submissions entered now may only be considered for 2021. (It sounds so good to think of 2020 being finished!)
However, this year will be totally different than other years. I have not received any where near the amount of releases that I normally do.
It might be an excellent year to send a submission.
I will accept any genre of music. I like a variety of styles, even on the same album!
So, please e-mail your mp3s, and please make sure it is an mp3 only, to phil@philmaq.com.
If you want a physical address or have other questions, please e-mail me at the same address. Because selections will be considered for more than a single year, there isn’t an expiration date at the present.
If you want someone who will actually listen to your music, I am that person.
If you want some recognition for working hard and baring your soul, that might be me, too. I can’t make any promises, but I will listen to your music.
If you are reading this and are not a musician but know someone who is, please forward this to them.
Good luck to all who participate!
QQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQ
My weekly radio show “Theme Attic,” can be heard Wednesdays, 2P-4P ET!
The show can be heard on WHFR 89.3 FM in the Dearborn-Detroit area of Michigan, or it can be streamed with this link: https://www.whfr.fm/streamer/!
It almost always includes a weekly countdown of my favorite albums or songs and some shows feature two countdowns!
If you like what you see, don’t forget to spread the word by hitting the “like” button on my Facebook page, Phil Maq!
#Philbys #Unofficial2020PhilbyAlbumUpdates #PhilbyAwards

For as long as I’ve been on the radio, and definitely for as long as I’ve been writing a blog, I will occasionally make a reference to a song being “One of the Greatest Songs Ever Recorded!” (GSER)
I would usually follow that by saying that I would eventually start a category for it, but then never get around to it.
Well, now I’m getting around to it!
It will pretty much follow the pattern of The Most Awesomest Song of the Day.
I’ll select a song to celebrate and then give my thoughts about it. Nothing really brand new here that hasn’t been done before. But since I have a website, I can collect them and lay out what my own greatest songs are.
My radio show, “Theme Attic,” is on Wednesdays 2PM-4PM ET.
Even though I always emphasize new music and artists, it’s always fun to take a short drive through the legendary artists, since they influenced those other artists!
But a song doesn’t have to be old or done by a legendary Theme Attic Hall of Fame member to be thus honored.
I can think of several songs that are only a few years old or less that I could identify as One of the Greatest Songs Ever Recorded.
This will be fun, and hopefully you will join me on my journey!
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Sarah Brightman [Hall of Fame] has one of my favorite voices!
I don’t know how many times I’ve heard Simon and Garfunkel’s version of “Scarborough Fair” in my lifetime (It’s difficult for me to think of the duo’s recording of a 350 year old song as having the “original version,” however theirs was certainly the most popular!) but it has become part of my musical DNA!
Sometimes when hearing such a song, it can be difficult to accept a different version of it.
But when it is placed in such legendary hands as Sarah Brightman, from her “La Luna” album, the differences highlight subtleties within the melody!
Sarah’s beautiful vocal, along with the arrangement, provides the right amount of Renaissance mystery to a magical canticle!
One of the Greatest Songs Ever Recorded is “Scarborough Fair” by Sarah Brightman!!!
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If you like what you see, don’t forget to spread the word by hitting the “like” button on my Facebook page, Phil Maq!
#ScarboroughFair #SarahBrightman #LaLuna #PhilMaq #OneoftheGreatestSongsEverRecorded #GSER

This is a weekly Top Ten list of what I consider to be the best songs that I listened to the previous week. Most songs will be current, but there are no boundaries. I’ve already stated on this web site that I am obsessed with music. I am constantly hunting it down whether it’s online, on CD, from my personal collection, from a library (Yes, I think the library is a great source of music–especially for music that you aren’t sure about.), TV, or radio. Since most of these sources mostly emphasize new music, the odds are pretty good that most of the songs on this list will be new. But in my search, I don’t use any boundaries for the other sources. I am just looking for good music that I haven’t heard, or happened to forget about. Everyone, including myself, has forgotten way more great music than they can ever remember-even if they are also music fanatics.
Also, there will be no rules concerning songs on this list. A song can show up or drop off a number of times. This will be the most volatile of my lists. It all depends on how much music I am exposed to during the week and what I find interesting. On really obscure stuff, I will try to include the source, if I know it.
Most of the songs heard on this list have been played on my radio show, “Theme Attic,” heard Wednesdays 2PM-4PM ET!
The show can be heard on WHFR 89.3 FM in the Dearborn-Detroit area of Michigan, or it can be streamed with this link: https://www.whfr.fm/streamer/!
This list forms the basis of my countdown list on the “Top 9 at 3:09” segment of my show on mostly alternating weeks, along with my “Phil’s Faves, Albums” lists!
Here’s a link for the complete history of all the Fave Songs:
https://philmaq.com/phils-lists/phils-faves-songs/
There’s plenty of other musical things to browse!
Here’s a link for my weekly Faves Album lists:
philmaq.com/phils-lists/phils-faves-albums
Another list that you might find interesting is my list for “The Most Awesomest Songs of the Day”:https://philmaq.com/most-awesomest-songs/
My somewhat unusual Hall of Fame can be explored here:https://philmaq.com/hall-of-fame/
Lastly, but most importantly, is my Philby Awards link! A Philby is my annual award for outstanding musical achievement! : https://philmaq.com/philbys/
If you like what you see, don’t forget to spread the word by hitting the “like” button on my Facebook page, Phil Maq !
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The Cordial Sins cordially take control of the top for their second #1 Faves song!!
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Top Ten Songs for the Week of May 23, 2021
1. Control—The Cordial Sins (Only Human)
2. Jesus on the Dash—Vegas Strip Kings (Jackpot!)
3. Hope—Diamonds in the Rust (The Whole Half)
4. Solo—Arnold Mitchem (Solo)
5. Time Goes By—Territorial Chant (Territorial Chant 6)
6. Daddy’s Wheels—Eric Gnezda (Single)
7. Better Than Gold—Erica Blinn (Better Than Gold)
8. Born Again—Judy Banker (Buffalo Motel)
9. My Mother Gave the World to Me—Jubilant Bridge (Single)
10.Quarantine Dream—Scott Martin (Quararantine Dream)
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New Key Song of the Week: Lilac and Dogwood—Anne Marie Menta (When the Love Ran Deep)
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Don’t forget to like my Phil Maq page! Thank you!

For as long as I’ve been on the radio, and definitely for as long as I’ve been writing a blog, I will occasionally make a reference to a song being “One of the Greatest Songs Ever Recorded!” (GSER)
I would usually follow that by saying that I would eventually start a category for it, but then never get around to it.
Well, now I’m getting around to it!
It will pretty much follow the pattern of The Most Awesomest Song of the Day.
I’ll select a song to celebrate and then give my thoughts about it. Nothing really brand new here that hasn’t been done before. But since I have a website, I can collect them and lay out what my own greatest songs are.
My radio show, “Theme Attic,” is on Wednesdays 2PM-4PM ET.
Even though I always emphasize new music and artists, it’s always fun to take a short drive through the legendary artists, since they influenced those other artists!
But a song doesn’t have to be old or done by a legendary Theme Attic Hall of Fame member to be thus honored.
I can think of several songs that are only a few years old or less that I could identify as One of the Greatest Songs Ever Recorded.
This will be fun, and hopefully you will join me on my journey…at least sometimes!
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Take a Bob Wills classic co-written with the great Cindy Walker!
Add lively twin fiddles played by the amazing Johnny Gimble and Randy Elmore!
Lovingly place it in the hands of that ol’ sometimes Texas swinger himself–Willie Nelson [Hall of Fame], and I’m not sure I’ve ever heard a better version of this month’s Full Moon Tune: “Sugar Moon!”
Buddy Emmons [Hall of Fame] on steel guitar is just plain piling on with greatness!
Just try not to tap your feet!
One of the Greatest Songs Ever Recorded is “Sugar Moon” by Willie Nelson!!!
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If you like what you see, don’t forget to spread the word by hitting the “like” button on my Facebook page, Phil Maq!
#SugarMoon #WillieNelson #YouDon’tKnowMeTheSongsofCindyWalker #BobWills #FullMoon #MoonTunes #FullMoonTunes #PhilMaq #OneoftheGreatestSongsEverRecorded #GSER


For as long as I’ve been on the radio, and definitely for as long as I’ve been writing a blog, I will occasionally make a reference to a song being “One of the Greatest Songs Ever Recorded!” (GSER)
I would usually follow that by saying that I would eventually start a category for it, but then never get around to it.
Well, now I’m getting around to it!
It will pretty much follow the pattern of The Most Awesomest Song of the Day.
I’ll select a song to celebrate and then give my thoughts about it. Nothing really brand new here that hasn’t been done before. But since I have a website, I can collect them and lay out what my own greatest songs are.
My radio show, “Theme Attic,” is on Wednesdays 2PM-4PM ET.
Here’s a link to stream it: https://www.whfr.fm/streamer/
Even though I always emphasize new music and artists, it’s always fun to take a short drive through the legendary artists, since they influenced those other artists!
But a song doesn’t have to be old or done by a legendary Theme Attic Hall of Fame member to be thus honored.
I can think of several songs that are only a few years old or less that I could identify as One of the Greatest Songs Ever Recorded.
This will be fun, and hopefully you will join me on my journey…at least sometimes!
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The early solo recordings of Frank Sinatra are such odd artifacts.
No instruments were used because of a musician’s strike, so everything relied on the vocal arrangements.
On “if You Please,” The Bobby Tucker Singers do their creative best to make the song sound different than other ones!
Frankie touches on several romantic memories, and I particularly like the alliterative spring setting of moonlight and magnolia trees!
One of the Greatest Songs Ever Recorded is “If You Please” by Frank Sinatra with The Bobby Tucker Singers!!!
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If you like what you see, don’t forget to spread the word by hitting the “like” button on my Facebook page, Phil Maq!
#IfYouPlease #FrankSinatra #OlBlueEyes #TheColumbiaCollection #PhilMaq #OneoftheGreatestSongsEverRecorded #GSER

Since my show is back on the air (“Theme Attic” heard every Wednesday from 2PM-4PM ET! Here’s a link to stream it: https://www.whfr.fm/streamer/!), I’ve decided to alter my New Year’s Resolution. Sorta…
Initially, this was the goal:
Every week, I plan to highlight two acts that I have never played before!
It was the same one I had two years ago.
When I decided on this goal, I planned to make it more obvious that I was focusing on these highlighted artists by marking the choices as either a “New Key Song of the Week” or New Key Album of the Week.”
Since I started broadcasting again, I now play at least two new artists on average that I haven’t played before. (And I often play way more than that!)
So, the next question became, should I continue my New weekly features?
Before heading back into the studio, I had more time to explore the newest releases–almost in real time.
Putting together my weekly show, is pulling me away from doing that.
At least, I should say, posting a written article about new music is.
I definitely don’t want to go back to having two more weekly self imposed extra deadlines.
Therefore, I have decided to change how I will post them.
Pre post pandemic, I would only consider artists I had never played before.
Post covid radio hiatus, I will consider all new albums that I listen to, even artists that I have played before and who may even have won Philbys!
I intend to only consider fairly recent releases, but I will decide how recent.
I like the freedom to choose from a larger pool of music.
Sometimes my choice will fit the original parameters, but I think, more often than not, it won’t.
But remember, I am already playing new artists, even if they’ve been an artist for decades(!), on my weekly show.
I also wouldn’t count on the weekly album being a weekly feature. It will be a little less frequent and I like that, too. I will only post when something hits me!
I’m expecting my “New Key Song of the Week” to be posted even less frequently than the album blog. But one never knows. About either category.
When I do make a weekly choice, I will add it to my weekly Faves Lists as before!
Whether I consider them for future lists will depend on whether my “snap judgment” is worthy of that.
The seed for this idea came from old 60’s WKNR (Dearborn, Michigan) music guides, that featured a weekly Key Song of the Week, so it’s kind of an homage to the station.
My distinction will be a weekly “key album.”
I hope you like the changes I have made, and together we will continue to explore new music!
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I ran across “Lilac and Dogwood” in a collection of singles received at the station.
Anne Marie Menta‘s beautiful voice brightens a wistful song about birthdays, flowers, and memories.
I thought of it when I noticed there are still some lilacs hanging around.
I like their beauty, but I give them a wide berth from an experience that I had one lovely spring evening, with the one who would eventually become my wife.
We had gone for an evening walk when she noticed some lilacs hanging over a fence. She rushed over and said excitedly, “I just love the smell of lilacs!”
She inhaled deeply and suggested I do the same.
How could I resist such an offer?
I quickly learned that lilacs were something else that I needed to add to my allergy list!
In spite of that experience, The New Key Song of the Week is “Lilac and Dogwood” by Anne Marie Menta!!!
I’m Phil Maq and I normally do a weekly College radio show, “Theme Attic” which can be heard every Wednesday from 2PM-4:15 PM ET.
Here’s a link to stream it: https://www.whfr.fm/streamer/!
I’m on the lookout for new music and artists!
Actually, I’m looking for any and all “good music” all of the time!
If you read this and want to send me your music, please send mp3s to phil@philmaq.com!
If you like what you see, don’t forget to spread the word by hitting the “like” button on my Facebook page, Phil Maq!
#LilacandDogwood #AnneMarieMenta #WhentheLoveRanDeep #PhilMaq #NewKeySongoftheWeek